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9/15/2004 11:57 AM
Greetings Don, Great book! The best in my ever-growing collection on soloing techniques. I'd like to get some background on the target melodies you've sighted in the books. In particular, why these two? Are there just two? Are there some popular three and five note variations, etc? Are these two target melodies just as endemic to Jazz as the 12-bar form is to blues? Will you be publishing some other sample lines created from the target melodies? Thanks

Author by: Don Mock Languange: en Publisher by: Alfred Music Publishing Format Available: PDF, ePub, Mobi Total Read: 38 Total Download: 196 File Size: 50,8 Mb Description: Legendary guitarist and educator Don Mock exposes the closely-guarded 'secret' soloing techniques of jazz and rock giants, revealing easy ways to create ultra-cool sounding lines and patterns by substituting simple. Feb 13, 2016. Ujam virtual drummer phat 1 0 2 download free. https://salsa-soft.mystrikingly.com/blog/typed-1-1-1-stunning-word-processing-with-markdown. Don Mock Guitar Secrets Revealed Pdf Download Download Earth Hibernaculum Rar Adobe Flash Professional Cs6 Serial Number Gundam Star Song Download. Synology surveillance station license key generator. The Last Blade Ps2 Iso Game File Fisher Price Time To Play Dollhouse Isilo For Android Cracked App Minecraft Version 1.13 Diablo 2 Download Archicad 13 Hun X64 Crack.

cjazz 9/21/2004 7:26 PM
Of course there are other melodies. In fact I did write a book called :' An approach to chromatic playing' In this book I demonstrate the hole picture and theory about approaches to certain chord or scale tones. Start from one note approach up to four and five notes to chromatic playing. After that you have so many choices and so many little melodies to create your own.Any one you wants information about my book, can reach me at:cjazz@hol.gr

Don Mock 11/10/2004 8:06 PM
Thanks for the post Glenn and sorry it took me so long to reply. The target melodies are two of hundreds of possibilities but they both (being three notes that setup or target a chord or scale tone) work best for basic jazz phrasing. These two simple melodies demonstrate the fundamentals of chromatic playing. The are longer versions but to me they often end up being combinations or variations of the original two. If you really want to immerse yourself in chromatics in a million possibilities, find a copy of 'Thesaurus of Scales and Patterns' by Nickolas Slominski. It is one amazing piece of work. I learned a lot of intervallic and chromatic ideas from this book, but it is deep! Hope this helps, and don't hesitate to send along any questions or comments. -Don Mock
bluesyourdaddy 2/24/2005 7:57 PM
Don,Got the book an think it is great. Any reason behind why Melody #2 targets the Maj3 and Maj7 and melody #1 targets all others? Just a little theory on that would be great.Thanks,Brian
Don Mock 2/24/2005 11:19 PM

Don Mock Guitar Secrets Revealed Pdf Files 2017

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Brian, the reason the two melodies target different chord tones is because of their first note. The melodies make more sense if the first note is in the 'key' that the chord or scale tone is in. So in melody #2, the first note is 1/2 step above the target or chord tone which is almost always in the key. I think (hope) there is a pretty clear definition about this in the book and on the CD. Thanks, -Don Mock

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Download »'The ultimate guitarist's reference book with playing techniques, solo and improvisation concepts, exercises and jam tracks. The purpose of this book is to demystify the relatively simple concepts or tricks around which much of rock guitar is built. The book is designed modularly, allowing the reader to choose any topic at any time, but is can also be sequentially as a method. Topics includes warm-ups, pentatonic scales, bending and vibrato techniques, blues scales, string skipping, major scales, alternate picking, modes, economy picking (sweeping), arpeggios, two-hand tapping, minor scales, legato techniques, exotic scales, whammy bar, how to build a solo, practice planning, and improvisation. Each concept is discussed in a thorough and easily understandable manner. The accompanying CD includes over 80 licks and exercises plus more than 20 jam tracks, helping the student put the concepts directly into practice. In notation and tablature.'